Continuing the search for unconscious translations, the approach is to overlap a symmetric grid with a fast unconscious scribble. This scribble is later simplified into geometric like shapes, such us straight lines and circles and fragments, making more relatable for symbolic association. Like searching for shapes in the clouds, I attempt to find figures of unconscious nature, finalising with the naming of the piece. The aim remains the study of unconscious thinking in a figurative aspect, but the approach is the translation of the scribble using this pseudo-geometrical language. My idea is to establish this method of representation by allowing it to represent something in itself. The contrast of conscious and unconscious is the inner struggle that I wanted to represent.
Abstract Stills
My ideas are based in establishing methods of representation that represent something in itself, and therefore are self-sufficient.
Horizontal Portrait of a Bear's Imagination
Jazz in a Fishbowl
Continuing the search for unconscious translations, the approach is to overlap a symmetric grid with a fast unconscious scribble. This scribble is later simplified into geometric like shapes, such us straight lines and circles and fragments, making more relatable for symbolic association. Like searching for shapes in the clouds, I attempt to find figures of unconscious nature, finalising with the naming of the piece. The aim remains the study of unconscious thinking in a figurative aspect, but the approach is the translation of the scribble using this pseudo-geometrical language. My idea is to establish this method of representation by allowing it to represent something in itself. The contrast of conscious and unconscious is the inner struggle that I wanted to represent.
The Birds that Left the Cage
Continuing the search for unconscious translations, the approach in this one has no geometric grid, is just the fast unconscious scribble. This scribble is later simplified into geometric like shapes, such us straight lines and circles and fragments, making more relatable for symbolic association. Like searching for shapes in the clouds, I attempt to find figures of unconscious nature, finalising with the naming of the piece. The aim remains the study of unconscious thinking in a figurative aspect, but the approach is the translation of the scribble using this pseudo-geometrical language. My idea is to establish this method of representation by allowing it to represent something in itself. The contrast of conscious and unconscious is the inner struggle that I wanted to represent.
The Joker in the Square Flower
Continuing the search for unconscious translations, the approach is to overlap a symmetric grid with a fast unconscious scribble. This scribble is later simplified into geometric like shapes, such us straight lines and circles and fragments, making more relatable for symbolic association. Like searching for shapes in the clouds, I attempt to find figures of unconscious nature, finalising with the naming of the piece. The aim remains the study of unconscious thinking in a figurative aspect, but the approach is the translation of the scribble using this pseudo-geometrical language. My idea is to establish this method of representation by allowing it to represent something in itself. The contrast of conscious and unconscious is the inner struggle that I wanted to represent.
Pelican Cocktail Party
Continuing the search for unconscious translations, the approach is to overlap a symmetric grid with a fast unconscious scribble. This scribble is later simplified into geometric like shapes, such us straight lines and circles and fragments, making more relatable for symbolic association. Like searching for shapes in the clouds, I attempt to find figures of unconscious nature, finalising with the naming of the piece. The aim remains the study of unconscious thinking in a figurative aspect, but the approach is the translation of the scribble using this pseudo-geometrical language. My idea is to establish this method of representation by allowing it to represent something in itself. The contrast of conscious and unconscious is the inner struggle that I wanted to represent.
Long Beaks & Sharp Tongues
Continuing the search for unconscious translations, the approach is to overlap a symmetric grid with a fast unconscious scribble. This scribble is later simplified into geometric like shapes, such us straight lines and circles and fragments, making more relatable for symbolic association. Like searching for shapes in the clouds, I attempt to find figures of unconscious nature, finalising with the naming of the piece. The aim remains the study of unconscious thinking in a figurative aspect, but the approach is the translation of the scribble using this pseudo-geometrical language. My idea is to establish this method of representation by allowing it to represent something in itself. The contrast of conscious and unconscious is the inner struggle that I wanted to represent.
Fish Swim in the Air
Continuing the search for unconscious translations, the approach is to overlap a symmetric grid with a fast unconscious scribble. This scribble is later simplified into geometric like shapes, such us straight lines and circles and fragments, making more relatable for symbolic association. Like searching for shapes in the clouds, I attempt to find figures of unconscious nature, finalising with the naming of the piece. The aim remains the study of unconscious thinking in a figurative aspect, but the approach is the translation of the scribble using this pseudo-geometrical language. My idea is to establish this method of representation by allowing it to represent something in itself. The contrast of conscious and unconscious is the inner struggle that I wanted to represent.
Insects, Totems & Boomerangs
Continuing the search for unconscious translations, the approach is to overlap a symmetric grid with a fast unconscious scribble. This scribble is later simplified into geometric like shapes, such us straight lines and circles and fragments, making more relatable for symbolic association. Like searching for shapes in the clouds, I attempt to find figures of unconscious nature, finalising with the naming of the piece. The aim remains the study of unconscious thinking in a figurative aspect, but the approach is the translation of the scribble using this pseudo-geometrical language. My idea is to establish this method of representation by allowing it to represent something in itself. The contrast of conscious and unconscious is the inner struggle that I wanted to represent.
Deep Inside Where The Monkey Lives
Continuing the search for unconscious translations, the approach is to overlap a symmetric grid with a fast unconscious scribble. This scribble is later simplified into geometric like shapes, such us straight lines and circles and fragments, making more relatable for symbolic association. Like searching for shapes in the clouds, I attempt to find figures of unconscious nature, finalising with the naming of the piece. The aim remains the study of unconscious thinking in a figurative aspect, but the approach is the translation of the scribble using this pseudo-geometrical language. My idea is to establish this method of representation by allowing it to represent something in itself. The contrast of conscious and unconscious is the inner struggle that I wanted to represent.
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